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MODULE B - John Keats (1795-1821) (p. 96)

TASK
Read the text below and make notes about Keats' life and works.
John Keats' father was head stableman at a London livery stable;
he married his employer's daughter and inherited the business. John
was the first of five children. He was sent to the Reverend John
Clarke's private school at Enfield. His teacher, the headmaster's
son, encouraged Keats' passion for reading and, both at school and
in the course of their later friendship, introduced him to Spenser
and other poets, to music, and to the theater.
When Keats was eight his father was killed by a fall from a horse,
and when he was fourteen his mother died of tuberculosis. The children's
guardian took John out of school at the age of fifteen and bound
him apprentice to a surgeon and apothecary at Edmonton. In 1815
Keats carried on his medical studies at Guy's Hospital, London and
the next year qualified to practice as an apothecary-surgeon - but
almost immediately, over his guardian's protests, he abandoned medicine
for poetry. [
]
The rapidity and sureness of Keats' development has no match. He
did not even undertake poetry until his eighteenth year and, for
the following few years, produced album verse that was at best merely
competent and at times manifested an arch sentimentality. Suddenly,
in 1816, he spoke out loud and bold in the sonnet On First Looking
into Chapman's Homer. [
]
In 1817 he went on to compose Endymion, an ambitious undertaking
of more than four thousand lines, and then the epic poem Hyperion,
conceived on the model of Milton's Paradise Lost, which he
left unfinished.
In 1818 Keats met a series of disappointments and disasters, from
harsh attacks on his works to his brother's death. In the summer
of that year he took a strenuous walking tour in the English Lake
District, Scotland and Ireland; it was a glorious adventure but
a totally exhausting one in wet, cold weather, and he returned in
August with a chronically ulcerated throat made increasingly ominous
by the shadow of the tuberculosis that had killed his mother and
brother. And in the late fall of 1818 Keats fell unwillingly, helplessly
in love with Fanny Brawne. This pretty, vivacious, and mildly flirtatious
girl of eighteen had little interest in poetry, but she possessed
an alert and sensible mind and loved Keats sincerely. They became
engaged, but Keats's dedication to poetry, his poverty, and his
growing illness made marriage impossible and love a torment.
In this period of acute distress and emotional turmoil, within five
years of his first trying his hand at poetry, Keats achieved the
culmination of his brief poetic career. Between January and September
of 1819, masterpiece followed masterpiece in astonishing succession:
The Eve of St. Agnes, La Belle Dame Sans Merci, all
of the "great odes", Lamia and a sufficient number of
fine sonnets to make him, with Wordsworth, the major Romantic craftsman
in that form.[
]
Under the richly sensuous surface, we find Keats's characteristic
presentation of all experience as a tangle of inseparable but irreconcilable
opposites. He finds melancholy in delight and pleasure in pain;
he feels the highest intensity of love as an approximation to death;
he inclines equally towards a life of indolence and "sensation"
and towards a life of thought; he is aware both of the attraction
of an imaginative dream world without "disagreeables"
and the remorseless pressure of the actual; he aspires at the same
time for aesthetic detachment and for social responsibility. [
]
In the spring and summer of 1820 a series of hemorrhages rapidly
weakened him. In the autumn he allowed himself to be persuaded to
seek the milder climate of Italy, but he died in Rome on February
23, 1821, and was buried in the Protestant Cemetery.
(Abridged from The Norton Anthology of English Literature,
W.W. Norton & Company, New York and London 1996.)
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