- 1Divide the text
- 2Work on
the visual analysis - 3Answer the
questions - 4Writing
- 5
- 6
- 7
- 8
- 9
explanation
case
experiment
From Never Let Me Go, Chapter 22
Kathy and Tommy have decided to speak with Miss Emily, their old headmistress at Hailsham Boarding School. They want to find out the mystery linked to the school and to the students’ existence as clones.
“But what I don’t understand,” I said, “is why people would want |
|
students treated so badly in the first place.” |
|
“From your perspective today, Kathy, your bemusement1 is perfectly |
|
reasonable. But you must try and see it historically. After the war, in the early |
|
5 |
fifties, when the great breakthroughs in science followed one after the other |
so rapidly, there wasn’t time to take stock2, to ask the sensible questions. |
|
Suddenly there were all these new possibilities laid before us, all these ways to |
|
cure so many previously incurable conditions. This was what the world |
|
noticed the most, wanted the most. And for a long time, people preferred to |
|
10 |
believe these organs appeared from nowhere, or at most that they grew in a |
kind of vacuum. Yes, there were arguments3. But by the time people became |
|
concerned about ... about students, by the time they came to consider just how |
|
you were reared4, whether you should have been brought into existence at all, |
|
well by then it was too late. There was no way to reverse the process. How can |
|
15 |
you ask a world that has come to regard cancer as curable, how can you ask |
such a world to put away that cure, to go back to the dark days? There was no |
|
going back. However uncomfortable people were about your existence, their |
|
overwhelming concern was that their own children, their spouses, their |
|
parents, their friends, did not die from cancer, motor neurone disease5, heart |
|
20 |
disease. So for a long time you were kept in the shadows, and people did their |
best not to think about you. And if they did, they tried to convince themselves |
|
you weren’t really like us. That you were less than human, so it didn’t matter. |
|
And that was how things stood until our little movement came along. But do |
|
you see what we were up against6? We were virtually attempting to square the |
|
25 |
circle. Here was the world, requiring students to donate. While that remained |
the case, there would always be a barrier against seeing you as properly |
|
human. Well, we fought that battle for many years, and what we won for you, |
|
at least, were many improvements, though of course, you were only a select |
|
few. But then came the Morningdale scandal, then other things, and before we |
|
30 |
knew it, the climate had quite changed. No one wanted to be seen supporting |
us any more, and our little movement, Hailsham, Glenmorgan, the Saunders |
|
Trust, we were all of us swept away7.” |
|
“What was this Morningdale scandal you keep mentioning, Miss Emily?” |
|
I asked. “You’ll have to tell us, because we don’t know about it.” |
|
35 |
“Well, I suppose there’s no reason why you should. It was never such a |
large matter in the wider world. It concerned a scientist called James |
|
Morningdale, quite talented in his way. He carried on his work in a remote |
|
part of Scotland, where I suppose he thought he’d attract less attention. What |
|
he wanted was to offer people the possibility of having children with |
|
40 |
enhanced8 characteristics. Superior intelligence, superior athleticism, that |
sort of thing. Of course, there’d been others with similar ambitions, but this |
|
Morningdale fellow, he’d taken his research much further than anyone before |
|
him, far beyond legal boundaries9. Well, he was discovered, they put an end to |
|
his work and that seemed to be that. Except, of course, it wasn’t, not for us. As |
|
45 |
I say, it never became an enormous matter. But it did create a certain |
atmosphere, you see. |
|
It reminded people, reminded them of a fear they’d always had. It’s one thing |
|
to create students, such as yourselves, for the donation programme. But a |
|
generation of created children who’d take their place in society? Children |
|
50 |
demonstrably superior to the rest of us? Oh no. That frightened people. They |
recoiled from that10.” |
|
“But Miss Emily,” I said, “what did any of that have to do with us? Why |
|
did Hailsham have to close because of something like that?” |
|
“We didn’t see an obvious connection either, Kathy. Not at first. And I |
|
55 |
often think now, we were culpable not to do so. Had we been more alert, less |
absorbed with ourselves, if we’d worked very hard at that stage when the news |
|
about Morningdale first broke, we might have been able to avert it11. Oh, |
|
Marie-Claude disagrees. She thinks it would have happened no matter what |
|
we did, and she might have a point. After all, it wasn’t just Morningdale. There |
|
60 |
were other things at that time. That awful television series, for instance. All |
these things contributed, contributed to the turning of the tide12. But I suppose |
|
when it comes down to it, the central flaw13 was this. Our little movement, we |
|
were always too fragile, always too dependent on the whims14 of our |
|
supporters. So long as the climate was in our favour, so long as a corporation |
|
65 |
or a politician could see a benefit in supporting us, then we were able to keep |
afloat15. But it had always been a struggle, and after Morningdale, after the |
|
climate changed, we had no chance. The world didn’t want to be reminded |
|
how the donation programme really worked. They didn’t want to think about |
|
you students, or about the conditions you were brought up in. In other words, |
|
70 |
my dears, they wanted you back in the shadows. Back in the shadows where |
you’d been before the likes of16 Marie-Claude and myself ever came along. And |
|
all those influential people who’d once been so keen to help us, well of course, |
|
they all vanished. We lost our sponsors, one after the other, in a matter of just |
|
over a year. We kept going for as long as we could, we went on for two years |
|
75 |
more than Glenmorgan. But in the end, as you know, we were obliged to close, |
and today there’s hardly a trace left of the work we did. You won’t find |
|
anything like Hailsham anywhere in the country now. All you’ll find, as ever, |
|
are those vast government ‘homes’, and even if they’re somewhat better than |
|
they once were, let me tell you, my dears, you’d not sleep for days if you saw |
|
80 |
what still goes on in some of those places. And as for Marie-Claude and me, |
here we are, we’ve retreated to this house, and upstairs we have a mountain of |
|
your work. That’s what we have to remind us of what we did. And a mountain |
|
of debt too, though that’s not nearly so welcome. And the memories, I |
|
suppose, of all of you. And the knowledge that we’ve given you better lives |
|
85 |
than you would have had otherwise.” [ ... ] |
Tommy and I couldn’t quite believe that was the end of it. We neither of |
|
us stood up, and anyway, there was no sign of anyone helping Miss Emily out |
|
of her wheelchair. I wondered for a moment if she was going to try and get up |
|
by herself, but she remained still, leaning forward as before, listening intently. |
|
90 |
Then Tommy said: “So there’s definitely nothing. No deferral17, nothing like |
that.” |
|
“Tommy,” I murmured, and glared at him18. But Miss Emily said gently: |
|
“No, Tommy. There’s nothing like that. Your life must now run the course |
|
that’s been set for it.” |
1. bemusement: Perplessità
2. to take stock: Di soffermarsi
3. arguments: Dibattiti
4. reared: Allevati
5. motor neurone disease: Distrofia muscolare
6. we were up against: Siamo stati costretti ad affrontare
7. swept away: Spazzati via
8. enhanced: Espresse al massimo
9. boundaries: Confini
10. they recoiled from that: Fecero marcia indietro
11. to avert it: Evitarlo
12. the turning of the tide: Far cambiare la rotta della marea
13. flaw: Debolezza
14. whims: Capricci
15. to keep afloat: Stare a galla
16. the likes of: Gente come
17. deferral: Rinvio
18. glared at him: Lo guardai
-
Direction 1Dystopia, the shadow of utopia
-
Direction 2William Golding and
Lord of the Flies -
Direction 3Interest in blood and killing
-
Direction 4Ray Bradbury and
Fahrenheit 451 -
Direction 5The burning of books
-
Direction 6Kazuo Ishiguro and
Never Let Me Go -
Direction 7Organs from nowhere
-
Direction 8Alexis Rockman and
Manifest Destiny -
Direction 9
-
Direction 10